1899 : ¡A los barrios y a la provincia!.

Nadar, whose real name was Felix Tournachon (1820-1910), was a conspicuous, even astonishing presence in nineteenth-century France. Engaging and quick-witted, he invented himself over and over as a bohemian writer, a journalist, a romantic utopian, a caricaturist, a portrait photographer, a balloonist, an entrepreneur, a prophet of aeronautics. The name "Nadar" was on everyone's lips. Today, it is Nadar's photography that is remembered. His sitters, who were often his friends, included the great men and women of his time: Dumas, Rossini, Baudelaire, Sarah Bernhardt, Daumier, Berlioz, George...

Tells the participation of women behind the camera since the creation of the National School of Arts and Crafts for Girls in 1910, an idea of president Benito Juárez, which included photography classes to 2010. The richness of the volume lies not only in the text but the very large photographic portfolio constitutes the bulk of the book, with the reproduction of photographs taken by women over 100 years ago.

Featuring vivid photographs of the Amazon's native people and their traditions, this extraordinary and exceptional work documents the story of a true adventurer while also providing the valuable research of the legendary explorer Richard Evans. His pupil, Wade Davis, compiled and edited all of his work, resulting in this incredible biographical essay. Incluyendo fotografías vivas de la gente nativa de la Amazonía y sus tradiciones, esta obra extraordinaria y excepcional documenta la historia de un verdadero aventurero mientras provee la valiosa investigación del legendario explorador...

“Breve historia de la crítica cinematográfica en México” es un libro que indaga en el cine mexicano desde sus orígenes, para develar su lado crítico. Lleva al lector de la mano a través de la historia, usando como hilo conductor las diferentes expresiones de la crítica cinematográfica, desde Alfonso Reyes y Martín Luis Guzmán con su columna Fósforo, hasta los grandes críticos de hoy en día y las nuevas plataformas que se emplean para llegar a un público cinéfilo, como las redes sociales y el Youtube.