Quien parpadea teme a la muerte

In the period that has elapsed between the publication of the Italian and American editions, I have had, with my pupils, the opportunity to simplify and render more exact certain practical details of the method, and to gather additional observations concerning discipline. The results attest the vitality of the method and the necessity for an [Pg viii]extended scientific collaboration in the near future, and are embodied in two new chapters written for the American edition. I know that my method has been widely spoken of in America, thanks to Mr. S. S. McClure, who has presented it through the ...

Ahora en pleno siglo XX, el Sofonías de nuestra historia jamás le huyó a la verdad amenazante del destino. Aferrado misérrimo en fatigoso abrazo con su fortuna. Una que estrangula su tenue y tímido espíritu y le sonríe de lejos con muecas fantasmales, grotescas y ridículas. Los agravios envenenaron su alma y lo sumieron en torrentes de venganza, odio y desesperación. Su terco aferramiento al pasado causó heridas profundas que jamás cicatrizaron y forjaron su carácter díscolo.

“Extraordinary and evocative, the stellar Anna in the Tropics is a work of art.”—Christine Dolen, Miami Herald This lush romantic drama depicts a family of cigar makers whose loves and lives are played out against the backdrop of America in the midst of the Depression. Set in Ybor City (Tampa) in 1930, Cruz imagines the catalytic effect of the arrival of a new “lector” (who reads Tolstoy’s Anna Karenina to the workers as they toil in the cigar factory) has on a Cuban-American family. Cruz celebrates the search for identity in a new land.

En esta ocasión, Cipriano, el vampiro vegetariano, y sus dos amigas se tendrán que enfrentar con el malvado DJ Drácula, el vampiro rapero y con su panda de amigotes. Y no sólo eso, si quieren salvar al pueblo, no, a la ciudad... no, al mundo entero, tendrán que derrotar al temible vampiro rapero y aguantar sus rimas insoportables :)