Los oráculos de Heródoto. Tipología, estructura y función narrativa

Este libro abarca, “un panorama del proceso que forma y define al pueblo de Cuba en su esfuerzo secular por fraguarse un destino largo”. Está dividido en seis partes, la primera, aborda los siglos XVI-XVII, desde la llegada de los conquistadores españoles a la Isla (conquista y colonización) hasta los primeros conflictos sociales; la segunda (siglo XVIII), la repercusión de los cambios políticos y económicos de Europa en la Isla, el papel de los comerciantes cubanos, la toma de La Habana por los ingleses, etc. La tercera parte (siglo XIX), el apogeo del colonialismo esclavista,...

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute...

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute...

Este libro permite el encuentro del lector con aquellas historias que adquirieron forma escrita en la Europa medieval, antiguos mitos surgidos de un fondo pagano, céltico y germánico que grandes escritores de los siglos XII y XIII, franceses y alemanes, consideraron dignos objetos de escritura y reflexión. Y así, la historia narrada en esos mitos adquirió, en la cultura cortés y caballeresca de la Europa medieval, un estilo propio dentro del nuevo género de la época: el ciclo artúrico, lugar de confluencia de celtismo y cristianismo, paganismo y humanismo. Este ensayo propone una...