Fito-zooterapia antigua y altomedieval

Although the three authors studied, Ana Maria Matute, Carmen Martin Gaite, and Esther Tusquets, are sophisticated intellectuals, they have chosen fairy tales and texts from other marginalized genres originally for female consumption (such as the novela rosa and the Hollywood women's picture) as the major intertexts in their novels for adults as well as in their fictions for children. Against the backdrop feminist theory and recent critical studies of fairy tales and children's literature, Solino studies the works of these authors as "gendered texts." Solino's book opens with a chapter that...

This book teaches about different modes of transportation using simple raised die-cut shapes on a left-hand page mirrored in the scooped-out forms of the right.

Para qué zapatos si no hay casa". Esta es una línea de diálogo que difícilmente se le ocurriría a un guionista, pero hace parte del guión de La vendedora de rosas. Y es que uno de los méritos de este guión, y en general de la obra de Víctor Gaviria, es su capacidad para convertir al lenguaje del cine esos universos forjados de realidad, así como saber qué elementos específicos, como esta frase, harán parte del texto final, de entre todas esas incontables horas de investigación sobre el tema y de convivencia con unos personajes que, luego, se confundirán con actores.Es por eso...

Rapunzel, a young lady imprisoned by a wicked witch on top of a tower, decides to escape to find her prince charming.