El bosque erotizado

In our modern digital age, the polaroid is already becoming a relic of the past. However, the fleeting moment and the uniqueness of it, lend the polaroid a quality beyond its mere merit as a "good" or "bad" photograph. Like a painting, a polaroid becomes an irreplaceable treasure and object of desire, as only one person may own the original. Perfectly lit and composed, these polaroids are Bitesnich's images in miniature, the painterly sketches for later works of art. Though as with most artists, the sketches ultimately become artworks in themselves. AUTHOR Andreas H. Bitesnich started his...

Nadar, whose real name was Felix Tournachon (1820-1910), was a conspicuous, even astonishing presence in nineteenth-century France. Engaging and quick-witted, he invented himself over and over as a bohemian writer, a journalist, a romantic utopian, a caricaturist, a portrait photographer, a balloonist, an entrepreneur, a prophet of aeronautics. The name "Nadar" was on everyone's lips. Today, it is Nadar's photography that is remembered. His sitters, who were often his friends, included the great men and women of his time: Dumas, Rossini, Baudelaire, Sarah Bernhardt, Daumier, Berlioz, George...

Este libro presenta una valoración de la fotografía en la España entre guerras (1914-1939), partiendo de documentación original sobre el tema publicada en la prensa fotográfica y cultural de la época.

Por fortuna, la investigación del fenómeno cinematográfico en México ha sido abundante. Se ha abordando su problemática desde diversos ángulos y con diferentes estilos, produciendo un importante cúmulo de conocimientos. Pero la Historia del Cine es una disciplina siempre inacabada: cada trabajo abre nuevas vetas para la discusión y el análisis de la cuestión y proporciona materia prima para otros trabajos. El volumen 1 (1895: El cine antes del cine) de la colección Anales del Cine en México, 1895-1911 que nos hacen llegar ahora Juan Felipe Leal, Carlos Arturo Flores y Eduardo...