¡Así lo vi!: 50 años de fotoperiodismo (Spanish Edition)

This is an anthropological essay that studies social dynamics of Mexicos city from the perspective of its inhabitants. An analysis about the relationship of their everyday life with the history of the city is made from questionnaires and the exhibitions of images to a group of people- taxi drivers, traffic cops, deliverymen of goods, students, housewives, street sellers and middle class motorists.

Proyecto fotográfico donde la fotógrafa autodidacta Ahumada mientras camina en los bosques, descubre la sensualidad y la interpretación erótica de las formas, la textura y los colores de naturaleza. El autor Ruy Snchez acompaña el catálogo con un cuento titulado "Alicia en el bosque de Eros" (Alice in the Forest of Eros).

For centuries, Rome has exerted a magnetic spell on inhabitants and travelers alike. Elliott Erwitt delves into the heart of this enduring magnetism. With careful precision, he lays bare the unflagging spirit of a magnificent metropolis. Undaunted by history, Erwitt portrays the distinctive mix of ancient glory and casual indifference which is uniquely Roman. With a blend of science and artistry, Erwitt captures forms, textures andthe mark of the true artistatmospheres. A wonderful addition to the Elliott Erwitt series by teNeues.

Nadar, whose real name was Felix Tournachon (1820-1910), was a conspicuous, even astonishing presence in nineteenth-century France. Engaging and quick-witted, he invented himself over and over as a bohemian writer, a journalist, a romantic utopian, a caricaturist, a portrait photographer, a balloonist, an entrepreneur, a prophet of aeronautics. The name "Nadar" was on everyone's lips. Today, it is Nadar's photography that is remembered. His sitters, who were often his friends, included the great men and women of his time: Dumas, Rossini, Baudelaire, Sarah Bernhardt, Daumier, Berlioz, George...