Utopías, vivencias y realidades

El proyecto, que apoyan los gobiernos de la región y un grupo de inversores ?empresas farmacéuticas, monopolios petroleros, maquiladoras, fabricantes de armamentos, entre otras?, se completa con la privatización de los recursos públicos presentes en la zona. Intenta, en definitiva, servir de puente entre otros acuerdos que persiguen el enajenamiento de todos los espacios económicos de América Latina, como son el Tratado de Libre Comercio de América del Norte (TLCAN) y el Área de Libre Comercio de las Américas (ALCA). En la región, mientras tanto, reaparecen fuerzas militares y...

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute...

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute...

The Myth of the Non-Russian explores the magical realist prose of two non-Slavic authors writing in Russian in the Soviet Union in the 1970s-1980s. Erika Haber argues that these authors juxtaposed their native myth with Soviet myth, thus undermining the Soviet prescription of national conformity in art by suggesting a plurality of worlds and truths.