Te potaría encima

Una completa ilustración de los géneros, estilos y combinaciones instrumentales del periodo clásico, de la sinfonía al cuarteto, pasando por el concierto, la sonata o la ópera, a través de obras de los compositores que, como Haydn, Mozart o Beethoven, dominaron el panorama musical de la época.

Recognized as the most significant composer from New Spain in the early eighteenth century, Manuel de Sumaya (ca. 1678–1755) oversaw musical activity at Mexico City Cathedral during a time of stylistic change. Sumaya, who was locally born and ordained as a priest, wrote music that mixes the counterpoint and rhythmic vigor of seventeenth-century Hispanic music with more modern Italianate gestures prescient of international taste in the eighteenth century. This edition of all thirty-four villancicos with music by Sumaya conserved in the Estrada Collection at Mexico City Cathedral reveals the...

(Boosey & Hawkes Voice). These exciting collections feature new transcriptions, previously unpublished material, and some selections never before published separately from complete vocal scores. The High Voice edition features 29 songs, and the Medium/Low Voice edition has 34. Contents: Afterthought * from ARIAS AND BARCAROLLES: (Little Smary * Greeting) * La Bonne Cuisine * FOUR RECIPES: (Plum Pudding * Queues de Boeuf (Ox-Tails) * Tavouk Gueunksis * Civet a Toute Vitesse (Rabbit at Top Speed)) * I Hate Music * A CYCLE OF FIVE KID SONGS: (I. My Name Is Barbara * II. Jupiter Has Seven Moons * ...

"No cabe duda de que las obras orquestales, si bien es cierto no tienen la profundidad e intimidad de los cuartetos clasicos de cuerda, en cambio poseen un basto horizonte de sonoridades que nos llevan en arrebatos emocionales de esa placidez de que solo supo Bach o a ese delirio que entrega en el campo del dolor Tchaikowsky al final de su Sinfonia Patetica. Las familias de instrumentos hacen alarde de sus virtudes y, en paleta colorista, nos presentan los mas bellos timbres de las maderas, metales y cuerdas percusivas." -Dr. Adalberto Garcia de Mendoza"