Arrullos y currulaos. Material para abordar el estudio de la música tradicional del Pacífico sur colombiano Tomos I y II

Although influenced by the impressionism of Debussy, Dukas, and Ravel, Manuel de Falla (1876–1946) remained distinctively Spanish, with roots that drew upon both Andalusian folk music and his country's classical traditions. With these two popular ballets, El Amor Brujo (Love, the Magician) and El Sombrero de Tres Picos (The Three-Cornered Hat), he brought the world's attention to the music of Spain. In El Amor Brujo, a gypsy lass is haunted by the ghost of a former swain until her new lover devises a plan to entice the spirit away. Each of the ballet's scenes evokes a different mood that is ...

Recognized as the most significant composer from New Spain in the early eighteenth century, Manuel de Sumaya (ca. 1678–1755) oversaw musical activity at Mexico City Cathedral during a time of stylistic change. Sumaya, who was locally born and ordained as a priest, wrote music that mixes the counterpoint and rhythmic vigor of seventeenth-century Hispanic music with more modern Italianate gestures prescient of international taste in the eighteenth century. This edition of all thirty-four villancicos with music by Sumaya conserved in the Estrada Collection at Mexico City Cathedral reveals the...

(Boosey & Hawkes Voice). These exciting collections feature new transcriptions, previously unpublished material, and some selections never before published separately from complete vocal scores. The High Voice edition features 29 songs, and the Medium/Low Voice edition has 34. Contents: Afterthought * from ARIAS AND BARCAROLLES: (Little Smary * Greeting) * La Bonne Cuisine * FOUR RECIPES: (Plum Pudding * Queues de Boeuf (Ox-Tails) * Tavouk Gueunksis * Civet a Toute Vitesse (Rabbit at Top Speed)) * I Hate Music * A CYCLE OF FIVE KID SONGS: (I. My Name Is Barbara * II. Jupiter Has Seven Moons * ...

Bailes como las contradanzas y danzas españolas, las fiestas de Quinces, los bailes populares y de salón en la década del 50 y los juegos en los bailes, fueron probables antecedentes que influyeran en el origen del casino y su rueda. Los posibles movimientos o pasillos que surgieron pudieron delimitar la estructura y los pasillos de un baile tan cubano como el casino, que también para otros es salsa. Alan Borges y Alicia Sardiñas, desde sus puntos de vista y teniendo en cuenta otros criterios, muestran en este libro de forma sencilla, amena y práctica, los pasos y los tiempos en los que ...