Juan del Junco

El tiempo, el viento, la lluvia, el sol... La turba como metáfora de un calor que emana de la tierra. Todo conforma el alma de de un occidente que se antoja lejano pero muy conocido. Conocido en su espíritu, en su música, en su gente. Irlanda

Nadar, whose real name was Felix Tournachon (1820-1910), was a conspicuous, even astonishing presence in nineteenth-century France. Engaging and quick-witted, he invented himself over and over as a bohemian writer, a journalist, a romantic utopian, a caricaturist, a portrait photographer, a balloonist, an entrepreneur, a prophet of aeronautics. The name "Nadar" was on everyone's lips. Today, it is Nadar's photography that is remembered. His sitters, who were often his friends, included the great men and women of his time: Dumas, Rossini, Baudelaire, Sarah Bernhardt, Daumier, Berlioz, George...

Proyecto fotográfico donde la fotógrafa autodidacta Ahumada mientras camina en los bosques, descubre la sensualidad y la interpretación erótica de las formas, la textura y los colores de naturaleza. El autor Ruy Snchez acompaña el catálogo con un cuento titulado "Alicia en el bosque de Eros" (Alice in the Forest of Eros).

An intriguing collection of unposed and engaging color portraits of people from all backgrounds and corners of the globe by an award-winning photographer includes the famous "Afghan Girl" photograph and equally memorable images ranging from a bejewelled Indian bride to a Paraguayan cowboy--255 photos in all.